MASHQ STUDIOستوديو مشق

العربية

Mehmed Nazif Bey (Hacı Nazif Bey)

1846–1913 · Rusçuk & Istanbul

Mehmed Nazif, also called Hacı Nazif Bey, was born in 1846 in Rusçuk (today Ruse, Bulgaria) to a family of Crimean Tatar origin, and entered the palace school (Enderun) in Istanbul. There Hâfız Abdülahad Vahdetî taught him thuluth and naskh and gave him his diploma at sixteen. He later joined the General Staff press, where for the rest of his life he lettered place names on lithographed maps, stretching words across large areas. In the early 1880s he met Sâmi Efendi, who taught him ta'lik, diwani and the tughra; past sixty he took a ta'lik diploma from Sâmi to keep the diploma tradition. He worked mostly in jali and was known for close copies of older masters. His signed jali ta'lik runs round the Yıldız clock tower (1890–91), and the jali thuluth on the covers of the Holy Mantle in Topkapı Palace is his. He died in Istanbul in 1913.

Achievements

Taught by: Hâfız Abdülahad Vahdetî Efendi, Mehmed Şefik Bey, Sami Efendi

His work

His jali ta'liq inscription on the Yıldız clock tower
His jali ta'liq inscription on the Yıldız clock tower
1890–1891 · Yıldız, Istanbul
Photo: Wikimedia Commons, public domain
An album of calligraphy ascribed to him
An album of calligraphy ascribed to him
before 1913 · Sakıp Sabancı Museum, Istanbul
Photo: Wikimedia Commons, public domain

These are the works in open collections that can be attributed with certainty.

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Living calligraphers you can buy from — signed originals on paper, from AED 550: Anwar Alhulwani (Thuluth) · Ahmed Alhawary (Jali Thuluth, Naskh) · Rasha Kasim (Kufi) — or every Thuluth piece the store makes: Thuluth collection.

Sources

Written by the MASHQ studio · last updated 2026-10-05. Further reading, the standard references in English: Sheila S. Blair, Islamic Calligraphy (Edinburgh University Press, 2006) · Annemarie Schimmel, Calligraphy and Islamic Culture (New York University Press, 1984) · Yasin Hamid Safadi, Islamic Calligraphy (Thames and Hudson, 1978).

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