MASHQ STUDIOستوديو مشق

العربية

Mawlana Azhar Tabrizi

d. 1475 · Tabriz & Mecca

Azhar Tabrizi, also called Zahir al-Din Azhar and honoured as 'master of masters', was one of the great nastaliq writers of the 15th century. He trained with Ja'far Tabrizi, head of the library of Shah Rukh's son Baysunghur, and is counted as the third master of the script after its founder Mir Ali Tabrizi and Ja'far; later writers judged his hand finer than his teacher's. English Wikipedia places him at the Timurid court of Shah Rukh. Persian Wikipedia traces a long road: from Tabriz to Herat in the service of Sultan Abu Sa'id, to Ulugh Beg's library in Samarkand, then by way of Isfahan to Shiraz, Basra, Baghdad, Aleppo, Damascus and finally Mecca, where he died in 880 AH (1475). He wrote nastaliq from the minute to the large size and was also strong in thuluth. His signed works carry dates from 824 to 877 AH. His pupils included Sultan Ali Qa'eni, Sultan Ali Mashhadi and Shaykh Bayazid Purani, and his son Mawlana Miraki also became a nastaliq master.

Achievements

Taught by: Ja'far Tabrizi
Taught: Sultan Ali Qa'eni, Sultan Ali Mashhadi, Shaykh Bayazid Purani, ʿAbd al-Rahim Khwarazmi Anisi

His work

Album folio with pages of a Divan of Kamal Khujandi, signed by him in gold
Album folio with pages of a Divan of Kamal Khujandi, signed by him in gold
c. 1450 · Freer Gallery of Art and Arthur M. Sackler Gallery (loan LTS2002.2.1), Washington
Photo: Wikimedia Commons, public domain
A text page of Nizami's Haft Paykar in nastaliq, folio 47v
A text page of Nizami's Haft Paykar in nastaliq, folio 47v
c. 1430 · Metropolitan Museum of Art, New York (13.228.13)
Photo: Wikimedia Commons, CC0
A text page of the same Haft Paykar, folio 32v
A text page of the same Haft Paykar, folio 32v
c. 1430 · Metropolitan Museum of Art, New York (13.228.13)
Photo: Wikimedia Commons, CC0
A full text page of Nizami's Haft Paykar in four columns of nastaliq, with a gold heading
A full text page of Nizami's Haft Paykar in four columns of nastaliq, with a gold heading
Herat, about 1430 · The Metropolitan Museum of Art, New York (13.228.13.3, reverse of folio 17)
Photo: The Metropolitan Museum of Art, public domain

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Sources

Written by the MASHQ studio · last updated 2026-10-05. Further reading, the standard references in English: Sheila S. Blair, Islamic Calligraphy (Edinburgh University Press, 2006) · Annemarie Schimmel, Calligraphy and Islamic Culture (New York University Press, 1984) · Yasin Hamid Safadi, Islamic Calligraphy (Thames and Hudson, 1978).

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