MASHQ STUDIOستوديو مشق

العربية

Abd al-Karim Khwarazmi

d. 1491

Abd al-Karim Khwarazmi was a son of Abd al-Rahman Khwarazmi, counted among the first great masters of nastaliq, and a brother of the calligrapher and poet Abd al-Rahim Anisi. TDV says little is known of his life: his birth and death dates are not recorded, though he is thought to have been born in Shiraz and to have spent most of his life there; Persian Wikipedia notes that he was still alive in 897 AH (1491). He learned from his father and kept his manner, with tall vertical letters and broad round ones, so close to his brother's that unsigned pieces by the two are hard to tell apart. Both brothers worked for the Aq Qoyunlu Sultan Ya'qub in Tabriz and used the signature 'Ya'qubi'. Late in life a troubled mind led him to sign with odd titles such as 'Padishah', which earned him the name Abd al-Karim Padishah. He was skilled in other scripts too. His Halnama and Rushana'inama of 883 AH (1478) is in Tehran, and the Metropolitan Museum attributes to him a Divan of Jami of about 1480.

Achievements

Taught by: ʿAbd al-Rahman Khwarazmi

His work

A text page of a Divan of Jami in nastaliq
A text page of a Divan of Jami in nastaliq
c. 1480 · Metropolitan Museum of Art, New York (13.228.4)
Photo: Wikimedia Commons, CC0
Opening text pages of the same Divan of Jami, with illuminated headings
Opening text pages of the same Divan of Jami, with illuminated headings
c. 1480 · Metropolitan Museum of Art, New York (13.228.4)
Photo: Wikimedia Commons, CC0
The last page of Jami's Divan with his signed colophon ('Abd al-Karim al-Khwarazmi' in the gold roundel at left)
The last page of Jami's Divan with his signed colophon ('Abd al-Karim al-Khwarazmi' in the gold roundel at left)
about 1480 · The Metropolitan Museum of Art, New York (13.228.4, f. 328r)
Photo: The Metropolitan Museum of Art, public domain
The illuminated first page of Jami's preface, the text in nastaliq framed in lapis and gold
The illuminated first page of Jami's preface, the text in nastaliq framed in lapis and gold
about 1480 · The Metropolitan Museum of Art, New York (13.228.4, f. 3r)
Photo: The Metropolitan Museum of Art, public domain

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Sources

Written by the MASHQ studio · last updated 2026-10-05. Further reading, the standard references in English: Sheila S. Blair, Islamic Calligraphy (Edinburgh University Press, 2006) · Annemarie Schimmel, Calligraphy and Islamic Culture (New York University Press, 1984) · Yasin Hamid Safadi, Islamic Calligraphy (Thames and Hudson, 1978).

← Asadullah Kirmani (Esedullah-ı Kirmani) ʿAbd al-Rahim Khwarazmi Anisi →

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