MASHQ STUDIOستوديو مشق

العربية

Mustafa Râkım

1758–1826 · Istanbul

The revolutionary of the large scripts. Râkım took the monumental Thuluth Jali — until then a stiff, enlarged page script — and rebuilt its anatomy for walls: deeper curves, dramatic stacking, breathing space measured for the eye at twenty metres. He redesigned the imperial tughra into the balanced form every later sultan used. On the mosques of Istanbul his panels still read as if written this morning. Modern Jali composition is, in essence, his invention.

Key works: Nusretiye Mosque inscriptions; the reformed tughra; Fatih tomb panels.

Achievements

Taught by: İsmail Zühdi (Yeni İsmail Zühdi, İsmail Zühdi the Second), Derviş Ali III
Taught: Sultan Mahmud II, Mehmed Hâşim Efendi, Mehmed Şâkir Recâi Efendi

His work

Hilye-i Saadet, in muhaqqaq, thuluth and naskh
Hilye-i Saadet, in muhaqqaq, thuluth and naskh
1791 · Turkish and Islamic Arts Museum, Istanbul (2732)
Photo: Wikimedia Commons, public domain
A signed panel in jali thuluth
A signed panel in jali thuluth
1809–1826 · Sakıp Sabancı Museum, Istanbul
Photo: Wikimedia Commons, public domain
A gravestone he signed
A gravestone he signed
early 19th century · Eyüp, Istanbul (photograph 2016)
Photo: Nidayi, Wikimedia Commons (Mustafa Rakım Efendi İmzalı Bir Mezar Taşı.jpg), CC BY-SA 4.0 (creativecommons.org/licenses/by-sa/4.0)
Hilye-i Saadet (the Prophet's description) in muhaqqaq, thuluth and naskh
Hilye-i Saadet (the Prophet's description) in muhaqqaq, thuluth and naskh
1791 · Museum of Turkish and Islamic Arts (inv. 2732), Istanbul
Photo: Wikimedia Commons, public domain

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Sources

Written by the MASHQ studio · last updated 2026-10-05. Further reading, the standard references in English: Sheila S. Blair, Islamic Calligraphy (Edinburgh University Press, 2006) · Annemarie Schimmel, Calligraphy and Islamic Culture (New York University Press, 1984) · Yasin Hamid Safadi, Islamic Calligraphy (Thames and Hudson, 1978).

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